The mummy of King Tut's great grandfather, Yuya, is a stunning example of ancient Egyptian embalming.  He and his wife were probably between 50 and 60 years old at the time of death. Like her husband, Tuyu was identified by inscriptions on funerary equipment. Hieroglyphs spell out her name and titles, which include dresser to the king, chantress of the god Amun, and lady of the harem of the god Min.

Photograph by Egyptian Museum of Cairo

Amazing Mummies: King Tut's Great Grandparents

At 3,400 years old, Yuya and Tuyu don't look their age. And they were buried with treasures that hint at what might lie hidden behind Tut's tomb.

ByA. R. Williams
March 3, 2016
9 min read

A recent radar scan of King Tut's tomb revealed tantalizing hints that one or more rooms may lie behind the painted walls of the teenage pharaoh's burial chamber. The final report is due soon. If it confirms the existence of hidden spaces, Egyptologist Nicholas Reeves will be vindicated. It was his reading of the evidence that prompted the scan of Tut’s tomb, known to archaeologists as KV 62.

But that's only the first part of his hypothesis. Reeves also believes the hidden rooms likely hold the burial of the legendary Queen Nefertiti, Tut’s stepmother. The idea is breathtaking. The tomb of a beautiful and beloved royal wife, who became extraordinarily powerful in her own right, could hold treasures that eclipse the wonderful things that were buried with Tut.

Shabti boxes and shabtis of Yuya, left, and Tjuya, right

Wooden figures called shabtis, each about a foot tall, were meant to come alive in the next life to perform manual labor for the deceased couple. Special containers, also of painted wood, were created to hold these magical servants.

Photograph by Kenneth Garrett, Nat Geo Image Collection

But what if another relative is buried there instead of Nefertiti? What might that person's eternal possessions look like? Glimpses of the possible array of artifacts can be seen among the grave goods of Tut's great grandparents—Yuya, his great grandfather, and Tuyu, his great grandmother, who lived around 1400 B.C.

Tut's Tangled Family Tree

Tut's family tree is complex in ways that are typical of ancient Egyptian royalty. Yuya and Tuyu weren't royals, but they must have had connections in the upper tiers of society. Their daughter Tiye became the Kate Middleton of her day when she married the country's most eligible bachelor—Amenhotep III, one of the most powerful pharaohs in all of Egyptian history. 

Tiye and Amenhotep's son Akhenaten was probably Tut's father, and a woman named Kiya, perhaps a foreign princess, may have been his mother. But like other Egyptian pharaohs, Akhenaten had multiple wives. Nefertiti was one of them, which makes her Tut's stepmother.

The complications continue into the next generation. Nefertiti and Akhenaten had six daughters. Tut married one of them, his half sister, whose name was Ankhesenamun. That makes Yuya and Tuyu the great grandparents of both Tut and his wife. 

small mask for bundled viscera and a canopic jar stopper for Tjuya.

A small mask of gilded plaster (right) capped a mummy-like bundle that held one of Tuyu's internal organs. Each bundled organ was deposited in a stone jar with a head-shaped stopper like this (left). 

Photograph by Kenneth Garrett, Nat Geo Image Collection

Going in (Ancient) Style

When Yuya and Tuyu died, their royal in-laws made sure they were buried in style in a prime location—the Valley of the Kings, the great royal cemetery of the 18th and 19th dynasties. Their tomb, now known as KV46, was discovered in 1905. 

canopic chest of Tjuya for holding her canopic jars

Gilded figures of gods and goddesses appear on a wooden chest coated with black pitch. Inside stood four calcite containers, called canopic jars, that held Tuyu's internal organs—lungs, liver, stomach, and intestines.

Photograph by Kenneth Garrett, Nat Geo Image Collection

Experts believe the tomb was probably looted three times—once shortly after it was sealed, and twice more during the creation of nearby tombs. Portable artifacts like jewelry and precious oils were taken. But even the loot the thieves left behind includes fascinating traces of one of the most fabulously wealthy eras in Egyptian history. 

A funerary figurine on a bed from the tomb of Yuya and Tjuya

A rare type of shabti lies on an embalming table painted on limestone. A human-headed bird representing the figure's ba, or soul, lies on top. The knob at the foot of the model likely represents the basin that collected fluids during mummification.

Photograph by Kenneth Garrett, Nat Geo Image Collection

For starters, the mortal remains of Yuya and Tuyu are so beautifully preserved they're now the rock stars of the mummy world. A proper mummification took a long time and cost a lot of money, and in this case the embalmers seem to have spared no expense. 

Yuya and Tuyu's faces are so full of personality they appear to have passed away just recently. The curls of their hair, the arches of their eyebrows, the shape of noses and ears and lips are all intact, all riveting.

The funerary furniture is similarly intriguing. The single burial chamber held a great assembly of stuff, including gilded coffins and facemasks, glittering chairs and beds, a complete chariot, ornate limestone vases, inlaid boxes, a wig of human hair, a wig basket of papyrus, multiple pairs of sandals made of leather and of woven grass, and small wooden figures called shabtis that were meant to come alive in the great beyond to work as servants for the deceased couple.

4 dummy vessels on a stand from the tomb of Yuya and Tjuya, KV 46

Limestone vases with fancy lids rest on a wooden base that's painted red. Two lids take the shape of a bull's head, one represents a wild goat, and the fourth is a frog. Each vessel stands almost 10 inches tall. 

Photograh by Kenneth Garrett, Nat Geo Image Collection

Flammable Coffin, Near Catastrophe

All these treasures almost went up in smoke in the moments after the burial chamber was opened. Theodore Davis, an American millionaire who bankrolled the excavation, was so excited to investigate he couldn't wait for electric lights to be installed. He and two other men entered the chamber with candles—which "gave so little light and so dazzled our eyes that we could see nothing except the glitter of gold," he wrote in a report of the discovery.

chair of Princess Sitamun

Yuya and Tuyu's granddaughter Sitamun gave them this gilded wooden chair. Two similar scenes on the back show servants presenting gold necklaces to a seated Sitamun. The hieroglyphic text says these gifts came from "the lands of the south."

Photograph by Kenneth Garrett, Nat Geo Image Collection

With a candle in each hand, Davis got a little too close to one of the coffins while he was trying to read an inscription. Fortunately, one of his companions shouted a warning and pulled his hands away. 

"In a moment we realized that, had my candles touched the bitumen [tar used as a sealant], which I came dangerously near doing, the coffin would have been in a blaze," he remembered. All the other wooden objects, as dry as dust, would then have caught fire in a flash.

An elaborately decorated chest from the tomb of Yuya and Tjuya

A wooden box decorated in gold, ebony, ivory, and blue ceramic tiles may once have held jewelry. Pink linen lined the inside. "… the object is one of the most striking in the tomb," wrote archaeologist James Quibell in 1908.

Photograph by Kenneth Garrett, Nat Geo Image Collection

Of course nothing like that will happen now, if there's a chamber—or chambers—to investigate behind King Tut's burial. Any work to come will proceed with the utmost care, relying on the latest technology to document artifacts that have been untouched for more than 3,400 years. Still, it's easy to imagine the experts leaning in with the same excitement Davis felt—but this time with flashlights gripped in their hands.

The gilded funerary mask of Tut's great-grandmother, Tuyu

Tuya's funerary mask, formed from plastered and gilded linen, was meant to preserve her features for eternity. A linen shroud, likely blackened with age, was originally stuck to the mask but has now come away in places to reveal the glimmer of gold.

Photograph Kenneth Garrett, Nat Geo Image Collection

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