Freight train going along river in the canyon.

These Chinese immigrants opened the doors to the American West

As many as 20,000 Chinese workers were recruited to build North America’s railways. Their descendants are still fighting for recognition, writes photographer Philip Cheung.

A freight train passes through Palisade Canyon in Nevada. As many as 20,000 Chinese were recruited during the building of America’s first transcontinental railroad. They lived in segregated areas, earned less than their white counterparts, and were denied citizenship after Congress passed the Chinese Exclusion Act in 1882. Descendants, historians, and activists are fighting for recognition of the Chinese workers’ contributions.
Story and photographs byPhilip Cheung
July 18, 2023
11 min read
This is one of eight stories from The Past Is Present project, a collaboration between National Geographic and For Freedoms.

After Utah State Historic Preservation Officer Chris Merritt showed me the ruins of Kelton, the last of the railroad ghost towns he wanted me to see that day, a storm whipped up on the horizon. I stood there watching the landscape, these clouds, the winds blowing up the dust, and I thought about what life was like more than 150 years ago for the Chinese workers who lived here then, laying rail and inhabiting this thrown-together desert settlement thousands of miles from home. There’s a fenced cemetery, not far away, where volunteers with dogs are helping locate remains outside the fence—probably the bones of Chinese workers, because the Chinese weren’t allowed to be buried where the white people were. I stood there too, and what I felt, for these people who worked so hard to help build America, was shame. 

an archival image of the canyon
This 19th century stereograph by Alfred A. Hart shows a view of the railroad from the top of Palisade Canyon cliffs in central Nevada, about 435 miles from Sacramento.
Alfred A. Hart, Library of Congress

I grew up in Toronto, and when I first found out that Chinese workers had helped build the Canadian railways, I wanted to know more. The monumental story I learned is the heart of this photographic project: Before Canada’s construction ever got under way, immigrant laborers from China—10,000 to 20,000, according to the haphazard records—had built the hardest, most dangerous segments of the transcontinental railroad in the western United States. Through the Sierra Nevada mountains and across Utah’s high desert, it was mostly Chinese men who blasted tunnels and pounded track into place. The history of these immigrants who literally laid foundations for North American rail travel and the economic expansion of the American West is being told now by scholars, activists, and the workers’ own descendants, like Christopher Kumaradjaja, the great-great-grandson of the Central Pacific Railroad worker Hung Lai Woh. To this day, Kumaradjaja told me, people ask him where he’s “from.” He’s a fifth-generation American, he replies, and sometimes wants to add: Are you?

Woman plays with dog at dry preryland with small flags in the ground.
Barbara Pence from the Institute of Canine Forensics searches with a dog named Asha for the remains of Chinese laborers who died during construction and operation of the Central Pacific Railroad in Terrace, Utah. Chinese workers were excluded from the official cemetery. The flags indicate where human remains were found.
Wooden fence along hillside.
Snowsheds shielded railroad tracks from storms and avalanches in the Sierra Nevada, but they were not built until after many Chinese workers had been swept away to their death. At least one spring, frozen bodies of workers trapped in snowslides were found, some with shovels still in their hands.
Tunnel with graffitis on the walls.
Chinese railroad workers risked their lives blasting 15 tunnels and building protective snowsheds on the route through the granite bedrock of the Sierra Nevada. The tracks they helped lay cut travel time from the East Coast to the West Coast from 118 days to six.
Elderly Asian woman elegantly dressed sitting in armchair.
Arabella Hong Young’s grandfather Hung Lai Woh came to the U.S. as a teenager in the 1860s and helped blast the path for the railroad. A Juilliard-trained singer, Young performed in the original Broadway cast of the 1958 musical Flower Drum Song.
Young woman posing by her computer desk in the room with Frida Kahlo's portrait on the wall.
Yale University student Naima Liang Blanco-Norberg, here in her San Francisco bedroom, is a sixth-generation descendant of Lum Ah Chew, who worked as a railroad cook and waiter at the summit tunnels near Lake Tahoe that bored through the Sierra Nevada.
Connie Young Yu, 80, poses for a portrait by the table at her home.
Connie Young Yu , a historian and an advocate for recognition of the contributions of Chinese railroad workers, is the great-granddaughter of Lee Wong Sang, who worked on the Central Pacific Railroad.
A golden spike with small letters engraved on it
This golden spike is the ceremonial railroad spike that Leland Stanford, first president of the Central Pacific Railroad, hammered to connect the Central Pacific and Union Pacific Railroads on May 10, 1869.
Photograph by Philip Cheung at Iris & B. Gerald Cantor Center for Visual Arts at Stanford University; gift of David Hewes
a porcelain oil lamp with a blue on white design depicting dragon's head, neck and a claw replacement wick (not original), surrounded by metal "cage".
A porcelain oil lamp features a design of a dragon’s head, neck, and claw, with text around the top rim.
Photograph by Philip Cheung at California State Railroad Museum
Teapot, or spouted jar, glazed, green, with lid, curved handle.
This glazed green pot for tea or other drinks has Chinese characters stamped into its base. 
Photograph by Philip Cheung at California State Railroad Museum
Chinese coins
These Chinese coins date from the Qing dynasty.
Photograph by Philip Cheung at California State Railroad Museum
Payroll records from the Central Pacific Railroad showing some Chinese names of headmen.
Payroll records from the Central Pacific Railroad show names of Chinese workers.
Photograph by Philip Cheung at California State Railroad Museum
The jade ink pallet is carved from a single piece of jade. It includes two shallow wells for the spreading of ink. At the top is a decorative carving in relief of a phoenix.
This jade ink pallet has decorative carvings of a phoenix at the top.
Photograph by Philip Cheung at California State Railroad Museum
A rectangular can once containing opium. The lid is separate and includes Chinese characters "li yuan" (source of beauty) (brand) pressed into the surface, indicating the grade of the opium.
The Chinese characters stamped on the lid of this rectangular can indicated the brand of opium it once held.
Photograph by Philip Cheung at California State Railroad Museum
Wide-mouthed shouldered jar, stoneware, round, squat body with a wide, lipped opening in center, rough texture on the surface, blue on white glaze. The pattern is sweet pea with double happiness.
Traditional Chinese double happiness symbols decorate this jar.
Photograph by Philip Cheung at California State Railroad Museum
The porcelain spoon features the four flowers pattern on the interior. Four distinct flowers decorate the four sections of the spoon which has a wide base and angular handle rising from the base. The four flowers (seasons) represented are peony (spring), lotus (summer), chrysanthemum (fall), plum (winter)
A porcelain spoon is adorned with flower patterns representing the four seasons of the year.
Photograph by Philip Cheung at California State Railroad Museum
Pond in the granite of the mountain site
“Catfish Pond,” high in the Sierra Nevada, may have been stocked to feed Chinese workers in the 1860s. Dried fish, vegetables, and boiled tea supplied by Chinese importers also kept these workers healthier than their Irish counterparts, who often got sick from the communal water supply and less varied meals.
Dry prairie landscape under stormy skies.
Along the route of the Central Pacific Railroad, time has wiped from the landscape many traces of the Chinese laborers who laid rails more than 150 years ago. The former station of Kelton, Utah, once home to many Chinese, is a ghost town after the main line was redirected in the early 1900s.
Photographs made by Philip Cheung have been exhibited at several museums and featured in publications such as Harper’s, Vanity Fair, and Time. Based in Los Angeles, he’s continuing to develop his project about the Chinese migrant laborers who worked on the Central Pacific Railroad in the 1800s. Follow him on Instagram @philipcheungphoto.

This story appears in the August 2023 issue of National Geographic magazine and is one of eight stories from The Past Is Present project, a collaboration between National Geographic and For Freedoms.

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